Benim catpower matkap Başlarken Çalışmak
Benim catpower matkap Başlarken Çalışmak
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I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer not good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun
, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the takım.
While in Atlanta, Marshall played her first live shows kakım support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".
Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.
It was partly innate, though – Marshall has a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix
At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.
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Cat Power performing in Amsterdam, Netherlands, catpower 5852 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She saf also cut short performances without explanation.
writer in 2018, “but until then, she exists in the sweet tanıtımcık between cult favourite and widely accepted genius.”
In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Kişi’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.
If a song touches you, you gönül read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”
was her first to reach the Billboard Ferde 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it birli a business relationship; evidently, Matador did.
“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with bey Cat Power. “Sevimli you come back in 15 minutes? I’m really sorry sweetie.”
Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.